Video Gallery
Commedia
The Commedia School-Svendborg Clown Festival 2017
Interview with founder of the school Ole Brekke
Silje with a special song to Commedia School
01 The 3 Ps
Ole Brekke explains how you learn to use yourself to tell a story on stage via the 3 Ps in the acting school.
02 Awareness through movement
Ole Brekke explains why exercises and play is so important to become aware of how you move when performing physical theatre.
03 Spontaneity
Ole Brekke tells how you learn to find the right balance between relaxation, concentration and imagination to keep spontaneity in the performance.
04 International School
The many different cultures in the Commedia School shows us what is the common human comedy that works globally across cultures.
05 Social Impact
Hear about how traveling with the shows teaches you about other cultures and how the performances can affect local communities.
Commedia STyles
Mask Making Workshop 2017
Commedia School
Buffoon, Tragedy, and Melodrama
Awareness through movement
Larval mask creature in the making.
- News, Events & Blog
The Gogol Project
Just released!! on corruption! “The Gogol Project”
A short film documenting the performance and event at The Commedia School studio in March, 2013.
Have a look here:
Gogol Project Denmark (Long version) from Projektland on Vimeo.
The Government Inspector
A story telling adaptation of Gogol’s 1836 hilarious satire on the corruption in the Russian Empire – perfectly actual for today in every country.
Elif Temucin and Erkan Uyaniksoy, two recent graduates of The Commedia School from Istanbul bring their well reviewed version of this story to The Commedia School Studio. Entry is free. The show is supported by Nord Plus and The Gogol Project which is a ESD (Education for Sustainable Development) network of activities in many countries. There will be a discussion after the show lead by the Danish coordinators of The Gogol Project, Benjamin Laier and Ole Brekke.
Letter from Istanbul
From Istanbul Dear Ole, A criticism about our play (Gogol Stories) has been published in a popular, very well-known theatre magazine (named ‘Tiyatro… Tiyatro…’) this
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